Winter Resident Profile -
Elaine
McHard
- 2009
Winter Resident Intern
www.elainemchard.com
I am very inspired by the immediate history of my own culture. More specifically, I am talking
about Victorian culture, especially its silverware. I can still remember sitting down for
dinner at Christmas to my grandmother’s table of ornate silverware. Although this is a ritual
we no longer practice it is still vivid in my childhood memory, and I find myself fascinated
with silver dining sets complete with relief-sculpted soup terrine and serving dishes. I love
the way the sculptures on the dishes tell the story of the food about to be eaten. Images of
the hunt are portrayed on the tops of lids in all their gruesome glory.
My medium is ceramic, and I choose this for the love of the process of working with clay.
It gives me an opportunity to work intimately with the images that I am sculpting. I enjoy
the challenge of having an inspiration from another material. As I work I look at images
of silver and try to make them come alive in clay. Sometimes I throw these forms and
sometimes I use molds of silver pieces. In each case, the use of clay and glaze provides
me with a finished product that would never come from working with silver. Yet, at the
same time it references silver from a particular time period through form and design.
I revel in the idea that I am acknowledging the past generations of my family and reinterpreting
it into something that is communicating with the artistic dialogue of my time.
My goal is always to come up with work that tells its own story. Dying cultures may loose
their language, but some of the last things to go are their stories, because they are
repeatedly told to children. Having these stories at the dinner table offers an unspoken
communication; a way of relating to each other on a deeper level that does not necessarily
have to come across in verbal communication.
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